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DTSTART;TZID=America/Chicago:20260330T190000
DTEND;TZID=America/Chicago:20260330T210000
DTSTAMP:20260405T164257
CREATED:20260313T032614Z
LAST-MODIFIED:20260313T032614Z
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SUMMARY:Savion Glover Presents: Project 9
DESCRIPTION:“Savion is to tap what Charlie Parker is to jazz” – Herb Alpert\n  \nSavion Glover brings his revolutionary Project 9 back to the venue he premiered it at\, in October 2024! Glover combines live jazz music and percussive movement for an expressive celebration of sound. Here\, Glover acts as lead dancer and drummer! At this performance\, he’ll push the boundaries of dance\, taking you on an entertaining journey inspired by mythological and ancestral codes of sound. \nSavion Glover began as a prodigious student of the great Honi Coles and the late Gregory Hines. It was Hines who called him “possibly the best tap dancer that ever lived.” Glover has been boldly breaking new ground for over a quarter century. \nGlover was only eleven when he made his Broadway debut. There\, he played the title character in 1984’s The Tap Dance Kid. Then\, he received his first Tony nomination at fifteen for 1989’s Black and Blue. Also that year\, he appeared alongside Hines and Sammy Davis Jr. in Tap. \nBy the turn of the 1990s Glover was moving freely between stage and screen. He appeared in Hines’ PBS special Gregory Hines’ Tap Dance in America. Also\, he was featured in over forty episodes of the iconic children’s series Sesame Street. Furthermore\, he received a 1992 Drama Desk nomination for Jelly’s Last Jam on Broadway. \nGlover built on the momentum from this award-winning celebration of Jelly Roll Morton. Then\, he became a cultural phenomenon at twenty-three when he co-conceived and starred in the wildly successful 1996 musical Bring in ‘Da Noise/Bring in ‘Da Funk. This was a landmark production tracing the history of Black life in America through tap. The show earned Glover a Tony Award for Best Choreography. Bring in ‘Da Noise/Bring in ‘Da Funk ran for three years at Broadway’s historic Ambassador Theatre\, totaling 1\,130 performances. \nRecommended for fans of Gregory Hines\, John Coltrane\, Jimmy Slyde and Bunny Briggs.
URL:https://soundminnesota.com/event/savion-glover-presents-project-9-2/
CATEGORIES:Jazz,Live Music,Rock/Pop
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/03/700x400-SavionGloverProject9-zK8efC.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260329T190000
DTEND;TZID=America/Chicago:20260329T210000
DTSTAMP:20260405T164257
CREATED:20260313T032613Z
LAST-MODIFIED:20260313T032613Z
UID:10041860-1774810800-1774818000@soundminnesota.com
SUMMARY:Savion Glover Presents: Project 9
DESCRIPTION:“Savion is to tap what Charlie Parker is to jazz” – Herb Alpert\n  \nSavion Glover brings his revolutionary Project 9 back to the venue he premiered it at\, in October 2024! Glover combines live jazz music and percussive movement for an expressive celebration of sound. Here\, Glover acts as lead dancer and drummer! At this performance\, he’ll push the boundaries of dance\, taking you on an entertaining journey inspired by mythological and ancestral codes of sound. \nSavion Glover began as a prodigious student of the great Honi Coles and the late Gregory Hines. It was Hines who called him “possibly the best tap dancer that ever lived.” Glover has been boldly breaking new ground for over a quarter century. \nGlover was only eleven when he made his Broadway debut. There\, he played the title character in 1984’s The Tap Dance Kid. Then\, he received his first Tony nomination at fifteen for 1989’s Black and Blue. Also that year\, he appeared alongside Hines and Sammy Davis Jr. in Tap. \nBy the turn of the 1990s Glover was moving freely between stage and screen. He appeared in Hines’ PBS special Gregory Hines’ Tap Dance in America. Also\, he was featured in over forty episodes of the iconic children’s series Sesame Street. Furthermore\, he received a 1992 Drama Desk nomination for Jelly’s Last Jam on Broadway. \nGlover built on the momentum from this award-winning celebration of Jelly Roll Morton. Then\, he became a cultural phenomenon at twenty-three when he co-conceived and starred in the wildly successful 1996 musical Bring in ‘Da Noise/Bring in ‘Da Funk. This was a landmark production tracing the history of Black life in America through tap. The show earned Glover a Tony Award for Best Choreography. Bring in ‘Da Noise/Bring in ‘Da Funk ran for three years at Broadway’s historic Ambassador Theatre\, totaling 1\,130 performances. \nRecommended for fans of Gregory Hines\, John Coltrane\, Jimmy Slyde and Bunny Briggs.
URL:https://soundminnesota.com/event/savion-glover-presents-project-9/
CATEGORIES:Jazz,Live Music,Rock/Pop
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/03/700x400-SavionGloverProject9-zK8efC.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260326T190000
DTEND;TZID=America/Chicago:20260326T210000
DTSTAMP:20260405T164257
CREATED:20260313T032608Z
LAST-MODIFIED:20260313T032608Z
UID:10041856-1774551600-1774558800@soundminnesota.com
SUMMARY:Bria Skonberg
DESCRIPTION:“If Louis Armstrong and Doris Day could somehow be the same person\, they’d be Bria Skonberg” –Wall Street Journal\n  \nBria Skonberg is a Juno-award winning artist\, ten-time Downbeat Rising Star\, and a Jazz at Lincoln Center Swing! Awardee. Also\, she won the 2022 “Legend” Award by the Society for the Preservation of the Great American Songbook. The trumpeter\, vocalist\, and composer has been called the “shining hope of hot jazz” (New York Times). Also\, she is considered “one of the most versatile and imposing musicians of her generation.” (Wall Street Journal)  \nBria has stormed onto the jazz scene with her smoky vocals\, blistering trumpet\, and compelling compositions and arrangements. The Juno Award winner has sung the music of Aretha Franklin alongside Michelle Williams of Destiny’s Child. Also\, she played with U2 at the iconic Apollo Theater and sat in with the Dave Matthews Band. Additionally\, Bria was a featured guest with Jon Batiste and performed as part of The Monterey Jazz Festival on Tour.  \nBria continues to solidify her artistry\, mastering her signature style as one of the most distinctive artists in jazz. 2024’s What It Means Is a career-defining album\, inspired by the sounds of New Orleans jazz. “Pure sonic ebullience is in full display on Skonberg’s latest album What It Means\, which mashes traditional jazz sounds and tunes with more modern jazz and even pop styles\,” wrote Lee Mergner for WBGO. \nBria has a multitude of new and exciting music in store for audiences\, releasing a holiday EP in 2025. Additionally\, she will release two albums out in 2026: one trumpet-focused and one vocal-forward. Here\, she brings all her new music to the stage with her quintet. \nRecommended for fans of Ingrid Jensen\, Jeremy Pelt\, Stella Cole and Emmet Cohen. \n📸: Shervin Lainez
URL:https://soundminnesota.com/event/bria-skonberg/
CATEGORIES:Jazz,Live Music
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/03/700x400-BriaSkonberg2-u5OCPM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260324T210000
DTEND;TZID=America/Chicago:20260324T230000
DTSTAMP:20260405T164257
CREATED:20260313T032602Z
LAST-MODIFIED:20260325T023351Z
UID:10041854-1774386000-1774393200@soundminnesota.com
SUMMARY:Morgan James at Dakota
DESCRIPTION:“A phenomenal talent whose feel for classic soul music is bone deep… This woman is on fire.” – New York Times\n  \nMorgan James has a voice that needs to be heard. After her grandmother heard her sing\, the matriarch paid for James’ voice lessons\, positive that her granddaughter had talent. However\, despite the often-treacherous terrain of the music industry\, James has never tired in her quest. There\, she has tussled with unimaginative label executives\, covered and owned Beatles songs\, and cast a woman as Jesus. Through it all\, James has carved out an enviable career\, always on her own terms. \nJames has a particular taste for inserting herself into men’s spaces. Here\, she twists hyper-masculine songs to her will\, changing their meanings in the process. Furthermore\, she brings that feminist lens to the forefront in her most recent project\, 2025’s Soul Remains the Same. Moreover\, she reinterprets tracks from AC/DC\, Stone Temple Pilots\, and Pearl Jam. “Something I’ve always loved\, and I’ve done throughout my career\, is sing songs that are not just written by men\, but especially made for men\,” she says. “And make them my own.” \nHere\, Soul Remains the Same transforms testosterone-soaked ‘80s and ‘90s radio classics of her youth into poignant\, soulful\, deeply personal covers. “I don’t try to change something to be clever. I don’t want to change something that’s already great\,” James says. “But sometimes I’ll hear a song and think to myself\, ‘This would be amazing with horns\, or what would this sound like with a choir or a B3?’” James picked which tracks to cover after a road trip on which she and her husband belted along to some old favorites. Then\, she created sexy\, bold versions of cuts like Whitesnake’s “Is This Love”. Also\, a deliciously moody version of Smashing Pumpkins’ “Tonight\, Tonight.” \nRecommended for fans of Nina Simone\, Postmodern Jukebox\, Pink Martini and Aretha Franklin.
URL:https://soundminnesota.com/event/morgan-james-2/
LOCATION:The Dakota\, 1010 Nicollet Mall\, Minneapolis\, MN\, 55403\, United States
CATEGORIES:Jazz,Live Music,R&B/Soul
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/03/700x400-MorganJames-21PxY9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260324T190000
DTEND;TZID=America/Chicago:20260324T210000
DTSTAMP:20260405T164257
CREATED:20260313T032600Z
LAST-MODIFIED:20260323T021429Z
UID:10041853-1774378800-1774386000@soundminnesota.com
SUMMARY:Morgan James at Dakota
DESCRIPTION:“A phenomenal talent whose feel for classic soul music is bone deep… This woman is on fire.” – New York Times\n  \nMorgan James has a voice that needs to be heard. After her grandmother heard her sing\, the matriarch paid for James’ voice lessons\, positive that her granddaughter had talent. However\, despite the often-treacherous terrain of the music industry\, James has never tired in her quest. There\, she has tussled with unimaginative label executives\, covered and owned Beatles songs\, and cast a woman as Jesus. Through it all\, James has carved out an enviable career\, always on her own terms. \nJames has a particular taste for inserting herself into men’s spaces. Here\, she twists hyper-masculine songs to her will\, changing their meanings in the process. Furthermore\, she brings that feminist lens to the forefront in her most recent project\, 2025’s Soul Remains the Same. Moreover\, she reinterprets tracks from AC/DC\, Stone Temple Pilots\, and Pearl Jam. “Something I’ve always loved\, and I’ve done throughout my career\, is sing songs that are not just written by men\, but especially made for men\,” she says. “And make them my own.” \nHere\, Soul Remains the Same transforms testosterone-soaked ‘80s and ‘90s radio classics of her youth into poignant\, soulful\, deeply personal covers. “I don’t try to change something to be clever. I don’t want to change something that’s already great\,” James says. “But sometimes I’ll hear a song and think to myself\, ‘This would be amazing with horns\, or what would this sound like with a choir or a B3?’” James picked which tracks to cover after a road trip on which she and her husband belted along to some old favorites. Then\, she created sexy\, bold versions of cuts like Whitesnake’s “Is This Love”. Also\, a deliciously moody version of Smashing Pumpkins’ “Tonight\, Tonight.” \nRecommended for fans of Nina Simone\, Postmodern Jukebox\, Pink Martini and Aretha Franklin.
URL:https://soundminnesota.com/event/morgan-james/
LOCATION:The Dakota\, 1010 Nicollet Mall\, Minneapolis\, MN\, 55403\, United States
CATEGORIES:Jazz,Live Music,R&B/Soul
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/03/700x400-MorganJames-21PxY9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260324T170000
DTEND;TZID=America/Chicago:20260324T173000
DTSTAMP:20260405T164257
CREATED:20260313T032559Z
LAST-MODIFIED:20260313T032559Z
UID:10041852-1774371600-1774373400@soundminnesota.com
SUMMARY:Morgan James VIP Experience
DESCRIPTION:Morgan James is hosting VIP events prior to the show\, giving a chance for fans to get together and celebrate good music in an intimate setting. \nVIP attendees will be treated to an exclusive performance\, story telling\, a question and answer session with Morgan\, photo and autograph sessions and everyone will walk away with an exclusive piece of merchandise only available to VIPs at each show. \nVIP Experiences include: \n\nEarly entrance and crowd-free merchandise shopping\nA commemorative piece of merchandise\nIndividual photo opportunity with Morgan James\nAutograph session with Morgan James\nGroup question and answer session with Morgan James — ask your most burning question!\nPrivate performance by Morgan James\n\nIMPORTANT: This is not a ticket to the show.\nYou must have a concert ticket in order to purchase this VIP Meet & Greet.\n \nCheck-in Time: Please arrive at the venue by 4:45 PM.\nAfter check-in\, you’ll be escorted to the VIP area for the meet & greet. \n\n“A phenomenal talent whose feel for classic soul music is bone deep… This woman is on fire.” – New York Times\n  \nMorgan James has a voice that needs to be heard. After her grandmother heard her sing\, the matriarch paid for James’ voice lessons\, positive that her granddaughter had talent. However\, despite the often-treacherous terrain of the music industry\, James has never tired in her quest. There\, she has tussled with unimaginative label executives\, covered and owned Beatles songs\, and cast a woman as Jesus. Through it all\, James has carved out an enviable career\, always on her own terms. \nJames has a particular taste for inserting herself into men’s spaces. Here\, she twists hyper-masculine songs to her will\, changing their meanings in the process. Furthermore\, she brings that feminist lens to the forefront in her most recent project\, 2025’s Soul Remains the Same. Moreover\, she reinterprets tracks from AC/DC\, Stone Temple Pilots\, and Pearl Jam. “Something I’ve always loved\, and I’ve done throughout my career\, is sing songs that are not just written by men\, but especially made for men\,” she says. “And make them my own.” \nHere\, Soul Remains the Same transforms testosterone-soaked ‘80s and ‘90s radio classics of her youth into poignant\, soulful\, deeply personal covers. “I don’t try to change something to be clever. I don’t want to change something that’s already great\,” James says. “But sometimes I’ll hear a song and think to myself\, ‘This would be amazing with horns\, or what would this sound like with a choir or a B3?’” James picked which tracks to cover after a road trip on which she and her husband belted along to some old favorites. Then\, she created sexy\, bold versions of cuts like Whitesnake’s “Is This Love”. Also\, a deliciously moody version of Smashing Pumpkins’ “Tonight\, Tonight.” \nRecommended for fans of Nina Simone\, Postmodern Jukebox\, Pink Martini and Aretha Franklin.
URL:https://soundminnesota.com/event/morgan-james-vip-experience/
CATEGORIES:Jazz,Live Music,R&B/Soul
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/03/700x400-MorganJamesVIP-UkN2Bd.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260323T190000
DTEND;TZID=America/Chicago:20260323T210000
DTSTAMP:20260405T164257
CREATED:20260313T032558Z
LAST-MODIFIED:20260313T032558Z
UID:10041851-1774292400-1774299600@soundminnesota.com
SUMMARY:Shaun Johnson – The Book of Bublé
DESCRIPTION:“his smooth vocals mirror that of a youthful Sinatra and a young Bublé” – The Indie Source\n  \nShaun Johnson believes great songs never go out of style. Further\, growing up in small-town Iowa\, he fell in love with the kind of music that makes you feel something. There\, he fell under the spell of the swing\, the soul\, the effortless cool. Now\, he’s bringing that sound to life in The Book of Bublé – a night of music that’s as smooth as it is electric. \nThus\, backed by a seven-piece band with full brass\, Shaun reimagines the hits that made Michael Bublé a global phenomenon. Here\, every song is delivered with bold new arrangements\, boundless energy\, and Shaun’s signature charm. Also\, hear songs like “Haven’t Met You Yet”\, “Everything”\, “Cry Me a River” and “Feeling Good”. \nHere\, in the Book of Bublé\, Shaun channels the fire of Sinatra\, the elegance of Ella\, and the raw energy of Jerry Lee Lewis. Moreover\, Johnson is backed by a seven-piece band and bold new orchestrations from Dean Sorenson. \nAdditionally\, this Emmy-winning performer and Billboard Top Five recording artist has performed over 4000 shows throughout the world. However\, the book of Bublé is something different. It’s a celebration of style\, connection\, and the kind of music that fills a room and lifts a heart.  \nHere\, this is not just a tribute. Furthermore\, it’s a night of stories\, of laughter\, and swing – a love letter to the soundtrack of our time. \nShaun Johnson\, vocals\nTheodore Brown\, piano\nDavid Stanoch\, percussion\nAaron Moe\, saxophone\nAidan Miland\, saxophone\nDave Stamps\, trombone\nGerard Ahlgren\, trumpet\nJeremy Boettcher\, bass \nRecommended for fans of Tonic Sol-fa\, The Manhattan Transfer\, Christian McBride Big Band and Rockapella.
URL:https://soundminnesota.com/event/shaun-johnson-the-book-of-buble/
CATEGORIES:Jazz,Live Music,Rock/Pop
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/03/700x400-ShaunJohnsonBigBand2-cmsPSM.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260322T190000
DTEND;TZID=America/Chicago:20260322T210000
DTSTAMP:20260405T164257
CREATED:20260313T032557Z
LAST-MODIFIED:20260323T015951Z
UID:10041850-1774206000-1774213200@soundminnesota.com
SUMMARY:Tina Schlieske Sextet at the Dakota
DESCRIPTION:“one of the most potent singers to ever come out of the Twin Cities.” – Star Tribune\n  \nTina Schlieske\, a Midwestern rock mainstay\, commands a dedicated and passionate following\, especially in her hometown of Minneapolis. She’s best known for fronting the band Tina and the B-Sides. Her inaugural jazz recording\, 2024’s The Good Life\, sees Schlieske embarking on a transformative jazz odyssey. Here\, this is her homage to the greats that have paved the way for voices like Tina’s to celebrate. Further\, she celebrates giants like Billie Holiday and Frank Sinatra. Much like the influential rockers she has emulated\, David Bowie\, Tina Turner\, Tina’s reverence for these giants shines through. \nA luminary in the Minneapolis rock and Americana music circuit\, Schlieske’s illustrious career spans over four decades. There\, she has garnered numerous accolades\, including a prestigious star adorning First Avenue’s legendary star wall. Also\, she is renowned for her impassioned vocal delivery and magnetic stage presence. Thus\, Schlieske’s pivot into the realm of jazz signifies a poignant milestone in her already illustrious career. Her transition into this new territory is a testament to her enduring artistic evolution and an exciting progression for her dedicated audience. \nSchlieske has long held an affinity for jazz\, but she left it unexplored until recent years. Here\, this stemmed from an unanticipated desire to delve into the allure of classic standards within the contemporary musical landscape. “There is a certain simplicity in these complicated songs\,” she reflects. “Singing jazz offers me the chance to push the boundaries of my vocal capabilities. It’s a whole new world compared to rock. Here\, the voice becomes another instrument. Maintaining the essence of the melody while infusing personal interpretation presents a thrilling challenge that I find truly exhilarating.” \nRecommended for fans of Indigo Girls\, Etta James\, Lucinda Williams and Melissa Etheridge.
URL:https://soundminnesota.com/event/tina-schlieske-sextet/
LOCATION:The Dakota\, 1010 Nicollet Mall\, Minneapolis\, MN\, 55403\, United States
CATEGORIES:Jazz,Live Music,Rock/Pop
ATTACH;FMTTYPE=image/png:https://soundminnesota.com/wp-content/uploads/2026/03/Photo_1774199879625.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260319T190000
DTEND;TZID=America/Chicago:20260319T210000
DTSTAMP:20260405T164257
CREATED:20260313T032554Z
LAST-MODIFIED:20260313T032554Z
UID:10041846-1773946800-1773954000@soundminnesota.com
SUMMARY:Cyrille Aimée
DESCRIPTION:“a breezy pop flavor\, gentle grooves\, lovely melodies” – All About Jazz\n  \nCyrille Aimée grew up in a multilingual household full of music where she danced every day. There\, her soundtrack featured the Afro-Caribbean sounds from her mother’s native Dominican Republic. The family home was in Samois-sur-Seine\, the location of the Django Reinhardt Festival. Often\, the teenage Cyrille would climb out of her bedroom window at night to mingle with the players. Thus\, this ignited a passion for jazz. \nMoving to New York City\, her talents quickly earned her a reputation among her peers as a matchless song interpreter. She worked with Roy Hargrove and stole the show in front of the notoriously hard-to-please crowd at the Harlem Apollo. Steven Sondheim invited her to star in a tribute at New York’s City Centre\, backed by Wynton Marsalis. Her 2019 album Move On featured versions of Sondheim’s songs which received praise from Sondheim himself. Additionally\, she earned a 2019 Grammy nomination for her version of “Marry Me a Little”. \nAt the height of her New York success\, new horizons beckoned. Visiting New Orleans\, she fell in love with the energy and diversity of the city and made it her home. Then\, she teamed up with producer/multi-instrumentalist Jake Sherman\, and together they created her latest album\, 2024’s A Fleur de Peau. \nThe album combines the depth and sophistication of jazz\, the immediacy of pop\, and the irrepressible dance rhythms of the Caribbean. Furthermore\, it’s more intimate and more accessible than anything Cyrille has done before. \nRecommended for fans of Stacey Kent\, Madeleine Peyroux\, Veronica Swift and Cécile McLorin Salvant.
URL:https://soundminnesota.com/event/cyrille-aimee/
CATEGORIES:Jazz,Live Music
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/03/700x400-CyrilleAimee-4im2wJ.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260318T190000
DTEND;TZID=America/Chicago:20260318T210000
DTSTAMP:20260405T164257
CREATED:20260313T032553Z
LAST-MODIFIED:20260313T032553Z
UID:10041845-1773860400-1773867600@soundminnesota.com
SUMMARY:MMEA All-State Jazz Band
DESCRIPTION:Minnesota Music Educators Association is proud to present the All-State Jazz Band at the Dakota. MMEA’s All-State Ensembles are built with 625 accomplished young musicians from 269 programs within the state of Minnesota.  \nRecommended for fans of Maria Schneider\, Dean Sorenson\, Libby Larsen and Bob Mintzer.
URL:https://soundminnesota.com/event/mmea-all-state-jazz-band/
CATEGORIES:Jazz,Live Music
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/03/700x400-MMEAAll-StateJazzBand-2FWNsV.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260314T190000
DTEND;TZID=America/Chicago:20260314T210000
DTSTAMP:20260405T164257
CREATED:20260313T032547Z
LAST-MODIFIED:20260314T195118Z
UID:10041840-1773514800-1773522000@soundminnesota.com
SUMMARY:Davina and The Vagabonds at Dakota
DESCRIPTION:“This music\, as retro as it may be at times\, feels fun\, frisky and alive.” – American Songwriter\n  \nDavina Sowers and the Vagabonds have created a stir on the national music scene. Their high-energy live shows feature level-A musicianship\, sharp-dressed professionalism and Sowers’ commanding stage presence. Also\, their influences range from Fats Domino and the Preservation Hall Jazz Band to Aretha Franklin and Tom Waits. Moreover\, the band is converting audiences one show at a time\, from Vancouver to Miami and across Europe. \nMuch like the music\, the story spurns era\, expectation and classification. The often unbelievable\, sometimes harrowing\, and wholly inspiring journey of Davina Sowers gave birth to her eponymous band in 2004. As the tale goes\, she grew up in the economically depressed Allegheny town of Altoona\, PA. She now describes the town as “awesome in the industrial era\, but horrible for high school.” Then\, she was adopted by her stepfather when he was in his 80s; he passed when she was just 13. Through him and his Edison phonograph\, she first heard the music that would start her journey. For example\, The Ink Spots\, Sidney Bechet\, Louis Armstrong\, Louis Prima\, Sister Rosetta Tharpe and many others. “Great man. He was my angel and still is\,” she says. \nOn her own\, she vividly recalls hours in front of the record player at home. There\, she religiously spun Led Zeppelin\, Black Sabbath and Simon and Garfunkel records belonging to her folk singer mom. \nTo this day\, Davina still refers to music as “my first and eternal love.” Despite early dalliances with classical piano and guitar\, she developed a heavy drug habit in high school. Further\, this morphed into heroin dependency\, left her homeless\, sent her in and out of jail and brought on all manner of trouble. Kicking dope on the streets\, she “got clean\, started the band and worked [her] ass off every day since.” \nRecommended for fans of Pokey LaFarge\, Preservation Hall Jazz Band\, The Hot Sardines and Squirrel Nut Zippers.
URL:https://soundminnesota.com/event/davina-and-the-vagabonds-3/
LOCATION:The Dakota\, 1010 Nicollet Mall\, Minneapolis\, MN\, 55403\, United States
CATEGORIES:Blues,Jazz,Live Music
ATTACH;FMTTYPE=image/jpeg:https://soundminnesota.com/wp-content/uploads/2026/01/700x400-Davina-3VmeLt.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260312T190000
DTEND;TZID=America/Chicago:20260312T210000
DTSTAMP:20260405T164257
CREATED:20260313T032543Z
LAST-MODIFIED:20260313T032543Z
UID:10041838-1773342000-1773349200@soundminnesota.com
SUMMARY:Los Lobos
DESCRIPTION:“one of the hottest live acts on the planet” – BBC\n  \nIt’s a matter of time. Fifty years to be exact. And in that time Los Lobos have created an unprecedented body of work\, a legacy of greatness. The numbers are staggering: 100+ gigs a year for five decades running\, crossing millions of miles to rock millions of fans. And that’s just at the live shows. \nThey’ve also recorded seventeen studio albums\, seven live LPs\, three compilations\, two EPs\, two DVDs\, and contributed over forty guest appearances on their friends’ recordings. They have garnered five Grammys\, an Austin City Limits Hall of Fame induction and the ALMA Ritchie Valens Pioneer Award. \nBut beyond all the hoopla and applause (and the source of it all\, really) is the tremendous heart. Rather\, hearts. Cinco corazones. Five blood brothers who have dedicated their off-stage time to helping others\, working for peace and justice. Further\, they’ve penned some of the most literate and important music of their time. They transform the hard cries from the East L.A. barrio into songs of hope\, tales of common folk finding ways to endure. \nThe young wolves were weaned on late-night radio’s soul\, R&B\, and doo-wop. Were cured through the African-American currents of the blues\, jazz\, and rock ‘n’ roll. An amalgam. As proud Chicanos\, their songs have always glistened with the distillation from their Mexican and Latin American roots. \nQuite simply\, they are one of the tightest\, one of the best\, one of the most prolific bands ever. And\, amazingly\, with the original founding members as the pack the entire time. Unprecedented. As their liner notes put it\, quite simply: “Los Lobos still are David Hidalgo\, Louie Pérez\, Jr.\, Cesar Rosas\, Conrad Lozano\, Steve Berlin.” \nRecommended for fans of Alejandro Escovedo\, Roy Orbison\, Ritchie Valens and Elvis Presley. \nThese tickets do not qualify for the A-Train discount.
URL:https://soundminnesota.com/event/los-lobos/
CATEGORIES:Jazz,Live Music,R&B/Soul,Rock/Pop
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