“the best organ trio of the last decade.” – New York Times   New York Times described Larry Goldings, Peter Bernstein, and Bill Stewart as “the best organ trio of the last decade.” The trio, which has played together for over thirty years, is recognized for charting new ground. Here, they do this through synergistic playing and thoughtful music. Moreover, they display their distinctive sound on over a dozen recordings. Additionally, they sound at home whether exploring the depths of jazz standards or playing their own original compositions. Of 2018’s Toy Tunes, Downbeat said, “The whole album subtly subverts organ-trio cliches, offering not chicken-shack party stomps but instead some hip after-hours atmospherics”. Larry Goldings is hailed worldwide for his signature Hammond organ style and versatility on many keyboards. Moreover, he has traversed not only the wide spectrum of jazz where he is perhaps best known, but also the worlds of funk, pop, and electronic music. For example, Goldings has worked closely with John Scofield, Michael Brecker, Jim Hall, Maceo Parker, and Madeleine Peyroux. Also, Pat Metheny, James Taylor, and John Mayer. Jazz guitarist Peter Bernstein has been a part of the jazz scene in New York and abroad since 1989. There, he contributed to over 200 recordings. As a leader, Peter released twelve albums and a DVD. Further, Bernstein was discovered by alto saxophone legend Lou Donaldson and was a crucial part of his final great band. Drummer/composer Bill Stewart made his name as the rhythmic force behind guitarist John Scofield. Now, he is one of the most sought-after jazz drummers in the world. Also, Stewart has toured extensively with Pat Metheny, Maceo Parker, Joe Lovano, Joshua Redman, Charlie Haden, Joe Henderson and more. Recommended for fans of John Scofield, Joey DeFrancesco, Eric Harland and Pat Metheny.

“fresh and classic at the same time” – Jon Bream, Star Tribune   Singer/pianist Andrew Walesch encapsulates the sophistication of a cosmopolite and the self-effacing charm of a country boy, like many before him. Leading his all-star big band, showman Walesch kidnaps the Blue Eyes tradition and makes it his own. With this ten-piece band, Walesch embodies both a traditionalist and an iconoclast with his jazz-bent Sinatra revue. Walesch is busy and versatile. Here, he composes and arranges, appearing in settings ranging from solo artist to big band. Moreover, this St. Cloud native is as respectful of his predecessors as he is ready to chart a new course. Andrew routinely jams venues all over the Midwest and beyond with a uniquely cross-generational audience. Walesch’s fans include jazz enthusiasts of a certain age, as well as a younger crowd compelled by his down-home insouciance. Also, all are drawn in by the knowing irreverence of a tried-and-true American nightclub entertainer. “Although they are my idols, I don’t attempt to imitate the great pop and jazz artists of the 50s and ’60s,” says Andrew, “but I go for broke when we do our shows – vocally and musically – which is what they all did best and why they were in a class of their own.” He possesses fine vocal and piano chops, along with a keen sensibility to find and interpret a great lyric. These have led to some great opportunities for Walesch. He has appeared on the nationally syndicated NPR broadcast Mountain Stage. Additionally, he performed at the 33rd Annual Cabaret Convention at Jazz at Lincoln Center in New York City. Walesch resides in Phoenix, AZ, where he has been elected as the new Artistic Director for the world-famous Musical Instrument Museum. Recommended for fans of Michael Bublé, Harry Connick Jr., Kurt Elling and Diana Krall.

“genre-blurring, spiritually deep sounds” – Glide Magazine   Kenny Garrett’s latest release, 2021’s Sounds from the Ancestors, is a multi-faceted album. The music, however, doesn’t lodge inside the tight confines of the jazz idiom. Here, this is not surprising: the alto saxophonist and composer acknowledges Aretha Franklin and Marvin Gaye as significant touchstones. Miles Davis’ seminal LP, On the Corner, subverted its main guiding lights – James Brown, Jimi Hendrix and Sly Stone. Then, Davis crafted his own unique, polyrhythmic, groove-laden, improv-heavy universe. Thus, Sounds from the Ancestors occupies its own space with intellectual clarity, sonic ingenuity and emotional heft. “The concept initially was about trying to get some of the musical sounds that I remembered as a kid growing up. Sounds that lift your spirit, like John Coltrane’s “A Love Supreme”, Aretha Franklin’s “Amazing Grace”, Marvin Gaye’s “What’s Going On”. And the spiritual side of the church,” Garrett explains. “When I started to think about them, I realized it was the spirit from my ancestors.” Indeed, Sounds from the Ancestors reflects the rich jazz, R&B, and gospel history of his hometown of Detroit. More important though, it also reverberates with a modern cosmopolitan vibrancy. Notably the inclusion of music coming out of France, Cuba, Nigeria, and Guadeloupe. Garrett is easily recognized as one of modern jazz’s brightest and most influential living masters. His illustrious career includes hallmark stints with Miles Davis, Art Blakey and The Jazz Messengers, Donald Byrd, and Freddie Hubbard. Also, Woody Shaw, and the Duke Ellington Orchestra. Moreover, he has enjoyed a heralded career as a solo artist that began more than thirty years ago. And with the marvelous Sounds from the Ancestors, the Grammy-winning Garrett shows no signs of resting on his laurels. Recommended for fans of Joshua Redman, Chris Potter, Branford Marsalis and Miguel Zenón.

“genre-blurring, spiritually deep sounds” – Glide Magazine   Kenny Garrett’s latest release, 2021’s Sounds from the Ancestors, is a multi-faceted album. The music, however, doesn’t lodge inside the tight confines of the jazz idiom. Here, this is not surprising: the alto saxophonist and composer acknowledges Aretha Franklin and Marvin Gaye as significant touchstones. Miles Davis’ seminal LP, On the Corner, subverted its main guiding lights – James Brown, Jimi Hendrix and Sly Stone. Then, Davis crafted his own unique, polyrhythmic, groove-laden, improv-heavy universe. Thus, Sounds from the Ancestors occupies its own space with intellectual clarity, sonic ingenuity and emotional heft. “The concept initially was about trying to get some of the musical sounds that I remembered as a kid growing up. Sounds that lift your spirit, like John Coltrane’s “A Love Supreme”, Aretha Franklin’s “Amazing Grace”, Marvin Gaye’s “What’s Going On”. And the spiritual side of the church,” Garrett explains. “When I started to think about them, I realized it was the spirit from my ancestors.” Indeed, Sounds from the Ancestors reflects the rich jazz, R&B, and gospel history of his hometown of Detroit. More important though, it also reverberates with a modern cosmopolitan vibrancy. Notably the inclusion of music coming out of France, Cuba, Nigeria, and Guadeloupe. Garrett is easily recognized as one of modern jazz’s brightest and most influential living masters. His illustrious career includes hallmark stints with Miles Davis, Art Blakey and The Jazz Messengers, Donald Byrd, and Freddie Hubbard. Also, Woody Shaw, and the Duke Ellington Orchestra. Moreover, he has enjoyed a heralded career as a solo artist that began more than thirty years ago. And with the marvelous Sounds from the Ancestors, the Grammy-winning Garrett shows no signs of resting on his laurels. Recommended for fans of Joshua Redman, Chris Potter, Branford Marsalis and Miguel Zenón.