Jazz
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Andrew Walesch & His Orchestra at Dakota
“fresh and classic at the same time” – Jon Bream, Star Tribune Singer/pianist Andrew Walesch encapsulates the sophistication of a cosmopolite and the self-effacing charm of a country boy, like many before him. Leading his all-star big band, showman Walesch kidnaps the Blue Eyes tradition and makes it his own. With this ten-piece band, Walesch embodies both a traditionalist and an iconoclast with his jazz-bent Sinatra revue. Walesch is busy and versatile. Here, he composes and arranges, appearing in settings ranging from solo artist to big band. Moreover, this St. Cloud native is as respectful of his predecessors as he is ready to chart a new course. Andrew routinely jams venues all over the Midwest and beyond with a uniquely cross-generational audience. Walesch’s fans include jazz enthusiasts of a certain age, as well as a younger crowd compelled by his down-home insouciance. Also, all are drawn in by the knowing irreverence of a tried-and-true American nightclub entertainer. “Although they are my idols, I don’t attempt to imitate the great pop and jazz artists of the 50s and ’60s,” says Andrew, “but I go for broke when we do our shows – vocally and musically – which is what they all did best and why they were in a class of their own.” He possesses fine vocal and piano chops, along with a keen sensibility to find and interpret a great lyric. These have led to some great opportunities for Walesch. He has appeared on the nationally syndicated NPR broadcast Mountain Stage. Additionally, he performed at the 33rd Annual Cabaret Convention at Jazz at Lincoln Center in New York City. Walesch resides in Phoenix, AZ, where he has been elected as the new Artistic Director for the world-famous Musical Instrument Museum. Recommended for fans of Michael Bublé, Harry Connick Jr., Kurt Elling and Diana Krall.
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Kenny Garrett at Dakota
The Dakota 1010 Nicollet Mall, Minneapolis, MN, United States“genre-blurring, spiritually deep sounds” – Glide Magazine Kenny Garrett’s latest release, 2021’s Sounds from the Ancestors, is a multi-faceted album. The music, however, doesn’t lodge inside the tight confines of the jazz idiom. Here, this is not surprising: the alto saxophonist and composer acknowledges Aretha Franklin and Marvin Gaye as significant touchstones. Miles Davis’ seminal LP, On the Corner, subverted its main guiding lights – James Brown, Jimi Hendrix and Sly Stone. Then, Davis crafted his own unique, polyrhythmic, groove-laden, improv-heavy universe. Thus, Sounds from the Ancestors occupies its own space with intellectual clarity, sonic ingenuity and emotional heft. “The concept initially was about trying to get some of the musical sounds that I remembered as a kid growing up. Sounds that lift your spirit, like John Coltrane’s “A Love Supreme”, Aretha Franklin’s “Amazing Grace”, Marvin Gaye’s “What’s Going On”. And the spiritual side of the church,” Garrett explains. “When I started to think about them, I realized it was the spirit from my ancestors.” Indeed, Sounds from the Ancestors reflects the rich jazz, R&B, and gospel history of his hometown of Detroit. More important though, it also reverberates with a modern cosmopolitan vibrancy. Notably the inclusion of music coming out of France, Cuba, Nigeria, and Guadeloupe. Garrett is easily recognized as one of modern jazz’s brightest and most influential living masters. His illustrious career includes hallmark stints with Miles Davis, Art Blakey and The Jazz Messengers, Donald Byrd, and Freddie Hubbard. Also, Woody Shaw, and the Duke Ellington Orchestra. Moreover, he has enjoyed a heralded career as a solo artist that began more than thirty years ago. And with the marvelous Sounds from the Ancestors, the Grammy-winning Garrett shows no signs of resting on his laurels. Recommended for fans of Joshua Redman, Chris Potter, Branford Marsalis and Miguel Zenón.
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Kenny Garrett at Dakota
The Dakota 1010 Nicollet Mall, Minneapolis, MN, United States“genre-blurring, spiritually deep sounds” – Glide Magazine Kenny Garrett’s latest release, 2021’s Sounds from the Ancestors, is a multi-faceted album. The music, however, doesn’t lodge inside the tight confines of the jazz idiom. Here, this is not surprising: the alto saxophonist and composer acknowledges Aretha Franklin and Marvin Gaye as significant touchstones. Miles Davis’ seminal LP, On the Corner, subverted its main guiding lights – James Brown, Jimi Hendrix and Sly Stone. Then, Davis crafted his own unique, polyrhythmic, groove-laden, improv-heavy universe. Thus, Sounds from the Ancestors occupies its own space with intellectual clarity, sonic ingenuity and emotional heft. “The concept initially was about trying to get some of the musical sounds that I remembered as a kid growing up. Sounds that lift your spirit, like John Coltrane’s “A Love Supreme”, Aretha Franklin’s “Amazing Grace”, Marvin Gaye’s “What’s Going On”. And the spiritual side of the church,” Garrett explains. “When I started to think about them, I realized it was the spirit from my ancestors.” Indeed, Sounds from the Ancestors reflects the rich jazz, R&B, and gospel history of his hometown of Detroit. More important though, it also reverberates with a modern cosmopolitan vibrancy. Notably the inclusion of music coming out of France, Cuba, Nigeria, and Guadeloupe. Garrett is easily recognized as one of modern jazz’s brightest and most influential living masters. His illustrious career includes hallmark stints with Miles Davis, Art Blakey and The Jazz Messengers, Donald Byrd, and Freddie Hubbard. Also, Woody Shaw, and the Duke Ellington Orchestra. Moreover, he has enjoyed a heralded career as a solo artist that began more than thirty years ago. And with the marvelous Sounds from the Ancestors, the Grammy-winning Garrett shows no signs of resting on his laurels. Recommended for fans of Joshua Redman, Chris Potter, Branford Marsalis and Miguel Zenón.
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Davina and The Vagabonds
“Davina and the Vagabonds combat heartache with sugar and sass.” – Downbeat Davina Sowers and the Vagabonds have created a stir on the national music scene. Their high-energy live shows feature level-A musicianship, sharp-dressed professionalism and Sowers’ commanding stage presence. Also, their influences range from Fats Domino and the Preservation Hall Jazz Band to Aretha Franklin and Tom Waits. Moreover, the band is converting audiences one show at a time, from Vancouver to Miami and across Europe. Much like the music, the story spurns era, expectation and classification. The often unbelievable, sometimes harrowing, and wholly inspiring journey of Davina Sowers gave birth to her eponymous band in 2004. As the tale goes, she grew up in the economically depressed Allegheny town of Altoona, PA. She now describes the town as “awesome in the industrial era, but horrible for high school.” Then, she was adopted by her stepfather when he was in his 80s; he passed when she was just 13. Through him and his Edison phonograph, she first heard the music that would start her journey. For example, The Ink Spots, Sidney Bechet, Louis Armstrong, Louis Prima, Sister Rosetta Tharpe and many others. “Great man. He was my angel and still is,” she says. On her own, she vividly recalls hours in front of the record player at home. There, she religiously spun Led Zeppelin, Black Sabbath and Simon and Garfunkel records belonging to her folk singer mom. To this day, Davina still refers to music as “my first and eternal love.” Despite early dalliances with classical piano and guitar, she developed a heavy drug habit in high school. Further, this morphed into heroin dependency, left her homeless, sent her in and out of jail and brought on all manner of trouble. Kicking dope on the streets, she “got clean, started the band and worked ass off every day since.” Recommended for fans of Pokey LaFarge, Preservation Hall Jazz Band, The Hot Sardines and Squirrel Nut Zippers.
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Pat Donohue & Prairie All-Stars
“one of the greatest fingerpickers in the world.” – Chet Atkins From swing to jazz to bottleneck blues to folk, Grammy-winning acoustic guitarist Pat Donohue plays it all. He does this with a flourish of artistry and melodic inspiration. Chet Atkins called Pat one of the greatest finger pickers in the world today; Leo Kottke called his playing “haunting.” Pat is certainly one of the most listened-to finger pickers in the world. He was the guitarist for the Guys All-Star Shoe Band of Minnesota Public Radio’s A Prairie Home Companion. There, Pat got to show off his savvy licks and distinctive original songs to millions of listeners each week. His decade-long association with Prairie Home Companion led to some unusual gigs. There was the after-show club date in Berlin when Wynton Marsalis showed up to sit in with Pat and the Prairie Home band. Or playing music on camera for the Prairie Home Companion movie with director Robert Altman and stars Meryl Streep, Lily Tomlin, Kevin Kline, John C. Reilly, Woody Harrelson and Tommy Lee Jones. Additionally, Pat plays nationwide and teaches at such popular music camps as Augusta Heritage Center and Rocky Mountain Fiddle Camp. Pat’s musical tastes are eclectic. Though he considers himself foremost a folk guitarist, Pat’s influences are rooted in bluesmen Blind Blake, Robert Johnson, Charlie Parker, Duke Ellington, Muddy Waters and Miles Davis. He manages to blend jazz and blues with folk, and the mix is seamless. Honors include a 2005 Grammy for his participation on Pink Guitar, a compilation of Henry Mancini tunes on acoustic guitar. Also, several Minnesota Music Awards, and the title of 1983 National Finger Picking Guitar Champion. His original tunes have been recorded by Chet Atkins, Suzy Bogguss and Kenny Rogers. Recommended for fans of Leo Kottke, Chet Atkins, Michael Johnson and A Prairie Home Companion.